Impressionism was a 19th-century art movement started by a group of Paris-based artists.
Featured small, thin brush strokes and focus on light and color.
Named after Claude Monet's painting "Impression, Sunrise".
Movement characterized by open composition and ordinary subject matter.
Brush Strokes: Small, visible, yet free and loose.
Color and Light: Accurate depictions of changing light qualities, focusing on vibrant colors and the play of light.
Subject Matter: Ordinary scenes; depictions of everyday life and nature.
Visual Angles: Unusual perspectives, capturing a sense of movement.
Radical break from academic standards of painting.
Influenced by artists like Eugène Delacroix and the Barbizon School.
Adoption of plein air painting (painting outdoors) to capture transient effects of sunlight.
Emphasis on overall visual effects rather than minute details.
Initially met with hostility from critics and the art establishment.
Over time, the public recognized the fresh perspective of the Impressionists.
Techniques laid groundwork for future art movements such as Neo-Impressionism and Post-Impressionism.
Major figures include:
Claude Monet
Pierre-Auguste Renoir
Alfred Sisley
Camille Pissarro
Edgar Degas
Berthe Morisot
Paul Cézanne
Dominated by the Académie des Beaux-Arts, showcasing traditional paintings.
Artists expressed their frustrations through submissions to the Salon, often rejected.
The Salon des Refusés was created in response to numerous rejections, showcasing alternative art styles.
Established by Monet, Renoir, Pissarro, Sisley, and others for independent exhibitions.
Focused on communal exhibitions, moving away from the restricted Salon.
First exhibition held in April 1874, received mixed reviews yet cemented the term "Impressionists" in public lexicon.
Utilized short, thick strokes to capture the essence of subjects quickly.
Emphasis on side-by-side color application to enhance vibrancy.
Avoidance of black paint; shadows painted with blue hues reflecting the sky.
Techniques like painting wet-on-wet to create softer edges and intermingling colors.
Photography competition initially posed challenges but ultimately inspired Impressionists to explore subjectivity.
Strived to depict personal perceptions of reality rather than direct reflections.
Japanese prints influenced asymmetrical compositions and