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Impressionism

Impressionism

Overview

  • Definition:

    • Impressionism was a 19th-century art movement originating from a loose association of Paris-based artists in the 1870s and 1880s.

  • Etymology:

    • The term "Impressionism" comes from Claude Monet's painting "Impression, Sunrise" (Impression, soleil levant).

    • Coined by critic Louis Leroy in 1874 during a satirical review.

Characteristics

  • Brush Strokes:

    • Visible, small, and thin brush strokes.

  • Composition:

    • Open compositions emphasizing light and its changing qualities.

  • Subject Matter:

    • Focuses on ordinary subjects and human experiences.

  • Visual Angles:

    • Utilizes unusual angles and includes movement.

Related Movements

  • Followed by Impressionist music and literature, as well as independent art created in the Impressionist style outside the late 19th century.

Historical Context

  • Radical Changes:

    • Early Impressionists challenged traditional academic painting norms, prioritizing color over line.

    • Often painted outdoor scenes (en plein air) instead of studio works.

  • Inspiration:

    • Influenced by Eugène Delacroix and contemporaries focusing on color and light.

  • Public Reception:

    • Initially faced hostility, but later gained acceptance, influencing later movements like Neo-Impressionism and Cubism.

Development

Influential Artists

  • Key Figures:

    • Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Camille Pissarro, among others, who pushed the boundaries of traditional art.

  • Early Exhibitions:

    • Held independent exhibitions from 1874-1886, showcasing their works despite mixed reviews, including derogatory critiques from Louis Leroy.

Techniques and Compositions

  • Technique:

    • Short, broken brush strokes using pure unmixed colors; avoided black paint, creating shadows with complementary colors.

    • Paint applied wet-on-wet for softer edges and optical color blending.

  • Content:

    • Paintings resemble candid snapshots of life, reflecting informal moments, influenced by the rise of photography.

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Influences and Legacy

  • Influence of Photography:

    • The rise of photography prompted painters to express subjective perceptions rather than achieve photographic realism.

    • Impressionists reflected personal interpretations of nature using color without detailed accuracy.

Japanese Art and Other Influences

  • Asian Influence:

    • Japanese art prints introduced new compositional techniques and perspectives, impacting Impressionist works through asymmetry and dynamic arrangements.

  • Cultural Exchange:

    • Artists like Edgar Degas integrated diverse influences into their practice, engaging with Japanese prints.

Notable Impressionists

  • Core Artists:

    • Claude Monet: Prolific and iconic for Impressionist techniques.

    • Pierre-Auguste Renoir: Known for vibrant color and social scenes.

    • Camille Pissarro: Participated in all eight Impressionist exhibitions.

    • Edgar Degas: Renowned for studies of movement and urban life.

  • Other Influencers:

    • Édouard Manet, Frédéric Bazille, Mary Cassatt, Paul Cézanne, among others who contributed to defining the movement.

Expansion Beyond France

  • Impressionism influenced global artists, notably American figures like Mary Cassatt and Childe Hassam, as well as movements in various countries including Belgium and Australia.

  • Crossover with Other Art Forms:

    • The term "Impressionism" relates to developments in music and literature that emphasize capturing emotions and impressions.

Conclusion

  • Evolution into Post-Impressionism:

    • Artists like Vincent van Gogh and Paul Gauguin advanced the Impressionist legacy while developing new styles, marking the transition into Post-Impressionism.

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