Definition:
Impressionism was a 19th-century art movement originating from a loose association of Paris-based artists in the 1870s and 1880s.
Etymology:
The term "Impressionism" comes from Claude Monet's painting "Impression, Sunrise" (Impression, soleil levant).
Coined by critic Louis Leroy in 1874 during a satirical review.
Brush Strokes:
Visible, small, and thin brush strokes.
Composition:
Open compositions emphasizing light and its changing qualities.
Subject Matter:
Focuses on ordinary subjects and human experiences.
Visual Angles:
Utilizes unusual angles and includes movement.
Followed by Impressionist music and literature, as well as independent art created in the Impressionist style outside the late 19th century.
Radical Changes:
Early Impressionists challenged traditional academic painting norms, prioritizing color over line.
Often painted outdoor scenes (en plein air) instead of studio works.
Inspiration:
Influenced by Eugène Delacroix and contemporaries focusing on color and light.
Public Reception:
Initially faced hostility, but later gained acceptance, influencing later movements like Neo-Impressionism and Cubism.
Key Figures:
Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Camille Pissarro, among others, who pushed the boundaries of traditional art.
Early Exhibitions:
Held independent exhibitions from 1874-1886, showcasing their works despite mixed reviews, including derogatory critiques from Louis Leroy.
Technique:
Short, broken brush strokes using pure unmixed colors; avoided black paint, creating shadows with complementary colors.
Paint applied wet-on-wet for softer edges and optical color blending.
Content:
Paintings resemble candid snapshots of life, reflecting informal moments, influenced by the rise of photography.
Influence of Photography:
The rise of photography prompted painters to express subjective perceptions rather than achieve photographic realism.
Impressionists reflected personal interpretations of nature using color without detailed accuracy.
Asian Influence:
Japanese art prints introduced new compositional techniques and perspectives, impacting Impressionist works through asymmetry and dynamic arrangements.
Cultural Exchange:
Artists like Edgar Degas integrated diverse influences into their practice, engaging with Japanese prints.
Core Artists:
Claude Monet: Prolific and iconic for Impressionist techniques.
Pierre-Auguste Renoir: Known for vibrant color and social scenes.
Camille Pissarro: Participated in all eight Impressionist exhibitions.
Edgar Degas: Renowned for studies of movement and urban life.
Other Influencers:
Édouard Manet, Frédéric Bazille, Mary Cassatt, Paul Cézanne, among others who contributed to defining the movement.
Impressionism influenced global artists, notably American figures like Mary Cassatt and Childe Hassam, as well as movements in various countries including Belgium and Australia.
Crossover with Other Art Forms:
The term "Impressionism" relates to developments in music and literature that emphasize capturing emotions and impressions.
Evolution into Post-Impressionism:
Artists like Vincent van Gogh and Paul Gauguin advanced the Impressionist legacy while developing new styles, marking the transition into Post-Impressionism.