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Impressionism Overview

  • Definition: A 19th-century art movement initiated by Paris-based artists that gained prominence in the 1870s and 1880s.

  • Origin of Name: Derived from Claude Monet's painting Impression, Sunrise (1872) which inspired critic Louis Leroy to coin the term in a satirical review.

  • Characteristics of Impressionist Art:

    • Small, visible brushstrokes.

    • Open composition emphasizing light's changing qualities over detail.

    • Ordinary subject matter with an emphasis on movement.

    • Unusual visual angles.

Artistic Context

  • Radical Movement: Early Impressionists ignored academic painting rules, focusing instead on color and light.

  • En plein air: They painted outdoors to capture transient effects of sunlight, shifting away from indoor studios.

  • Technique: Emphasized broken brush strokes and mixed colors to create vibrancy instead of smooth blending.

  • Public Reception: Initially met with hostility, but later recognized for capturing a fresh vision, influencing future art movements like Neo-Impressionism and Cubism.

Historical Background

  • Académie des Beaux-Arts: Dominant art institution in mid-19th century France that upheld traditional standards, favoring historical and religious subjects.

  • Response to Salon de Paris: Younger artists faced rejection of their works; key figures like Monet and Renoir became disillusioned with the Académie's standards.

  • Salon des Refusés (1863): Initiated by Emperor Napoleon III after many works were rejected; this exhibition showcased the new artistic tendencies.

Key Figures in the Movement

  • Core Group: Monet, Renoir, Sisley, Bazille, Pissarro joined by other artists like Cézanne, Morisot.

  • Notable Events:

    • The rejection of Édouard Manet's The Luncheon on the Grass spurred discussions leading to the Salon des Refusés.

  • Exhibitions: The group organized independent exhibitions starting in 1874, leading to the acceptance of the term "Impressionists."

Impressionist Techniques

  • Brushstrokes: Short, thick strokes of paint that capture essence over detail.

  • Color Application: Use of unmixed colors placed side-by-side for optical mixing in the viewer's eye—avoiding black in pure impressions.

  • Light Effects: Emphasis on natural light reflections and capturing atmospheric effects, including blue shadows reflecting from the sky.

Influences on Impressionism

  • Previous Artists: Techniques from artists like Eugène Delacroix and Gustave Courbet influenced the movement.

  • Inspiration from Photography: The advent of photography pushed artists to focus on subjective perceptions of reality rather than precise depictions.

  • Japanese Art: The influence of Japanese prints introduced asymmetrical compositions and snapshot-like angles.

Major Impressionists

  • Known figures:

    • Claude Monet (most prolific, embodiment of aesthetic)

    • Pierre-Auguste Renoir

    • Edgar Degas (realist, deeply influenced the group)

    • Camille Pissarro (showed at all Impressionist exhibitions)

    • Mary Cassatt (American-born, participated in four exhibitions)

    • Paul Cézanne (later broke away but shared foundational ideas).

Legacy of Impressionism

  • Post-Impressionism Development: Originated from Impressionist foundations, artists like Vincent van Gogh, Paul Gauguin, and Georges Seurat began exploring different approaches to color and form.

  • Continued Influence: Impressionism laid the groundwork for modern movements and shaped artistic expression worldwide.

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